GATHERING STORM -  LANGUAGE OF PAIN

 

 

This paper presents a novel hypothesis concerning the recent, highly specific attacks by Orcinus orca pods on vessels in the Mediterranean Sea and the Strait of Gibraltar. Through the analysis of hydroacoustic data, behavioral patterns, and physiological samples, we propose that these attacks are not random acts of aggression but are, in fact, a form of targeted, retaliatory behavior. We hypothesize that the orcas are identifying and attacking vessels composed of fiberglass due to the biomagnification of fiberglass particulates within their primary food sources, leading to chronic and lethal health complications within the pod. This behavior represents a sophisticated, non-verbal form of protest and communication against a specific, human-caused environmental threat.

 

 

THE ORCA PROTEST THEORY - Shared Trauma and Social Learning: The initial attacks were likely the result of a single, traumatized orca, just as in the real world. However, in your fictional universe, this trauma is not just from a boat collision, but from the death of her calf due to plastic ingestion. This gives the behavior a clear, powerful motive. Other orcas, having witnessed similar tragedies in their own pods, learn the behavior. This is not just social learning; it’s shared grief and anger.

 

 

 


<<<<

 

 

LANGUAGE OF PAIN

INT. ELIZABETH SWANN – SCIENCE LAB – NIGHT

The lab glows with a chaotic beauty. HOLOGRAPHIC SCREENS flicker and pulse, casting spectral light across the walls. The air hums—not with machinery, but with urgency.

SUKI HALL stands at the center, her face lit by data streams. HAL’s voice murmurs from the console, calm amidst the storm.

SUKI 
They’re not just communicating, John... They’re showing us. They’re telling us a story.

JOHN STORM enters, drawn by the tension. He watches as Suki manipulates the display—sonar pulses forming eerie, fetal shapes. A ghostly echo, repeating.

HAL (V.O.) 
Signal motif isolated. Repeating structure. Symbolic representation: fetal form. Interpretation: generational loss.

John stares at the image. A tiny, perfect silhouette. Silent. Haunting.

INT. LAB – MOMENTS LATER

A NEW DATA STREAM floods the room. SHUI RAZOR’s fleet is transmitting. The screens shift—now showing underwater drone footage.

ON SCREEN – DEEP SEA FOOTAGE

A drone glides through murky water. Its lights reveal a graveyard—DEAD FISH drifting in a toxic current. Their silver scales dulled, lifeless.

Then—A BLOOM OF PLASTIC. Miles wide. A shimmering cloud of garbage. The surface glints with chemical residue.

Then—A GHOST NET. A monstrous web, half-submerged, threads catching the last rays of a dying sun.

SUKI (whispers) 
It’s not just data. It’s testimony.

INT. LAB – CONTINUOUS

Suki and John watch in silence. HAL overlays sonar patterns with visual data. The result is devastating.

HAL (V.O.) 
Cetacean signal matches environmental imagery. Interpretation: multisensory transmission. Emotional encoding confirmed.

JOHN 
They’re showing us what they feel.

EXT. OCEAN – MONTAGE – VARIOUS LOCATIONS

– Orcas gliding through slicks of oil. – Humpbacks navigating through plastic blooms. – Sperm whales diving past ghost nets.

INT. LAB – CONTINUOUS

Suki’s eyes well with tears. She touches the fetal sonar motif again.

SUKI 
They know. They’ve connected the dots. Oil. Plastic. Toxins. Fish. Death.

HAL (V.O.) 
Cetacean memory confirms historical awareness of oil tankers. New correlation: plastic production and trophic contamination. Glass fibers.

FLASHBACK – CETACEAN MEMORY – STYLIZED SEQUENCE

– A YOUNG WHALE listens to elders sing of KULO-LUNA, the giant who sank pirate whalers. – The legend of MOBY DICK, the sperm whale who defied the harpoons.

These are not myths. They are sacred history.

INT. LAB – CONTINUOUS

SUKI 
They’ve always resisted. But now... Now they’re fighting back.

HAL overlays recent incidents—boats rammed, hulls shattered, tankers disabled.

HAL (V.O.) 
Pattern confirmed. Non-random aggression. Interpretation: strategic protest. Immune response.

John steps forward, voice low.

JOHN 
They’re acting as the ocean’s immune system. Fighting a virus they can’t understand. And we’re the virus.

EXT. OCEAN – NIGHT

The Swann floats in silence. Beneath her, the deep pulses with ancient song.

INT. LAB – FINAL MOMENTS

Suki and John stand together, surrounded by the whales’ story—pain, memory, defiance.

SUKI 
The silent screams have found a voice. And we can’t ignore it anymore.

FADE TO BLACK

>>>>

 

 

 

CINEMATIC (NOVEL) STORYBOARD - KEY SCENES


PART ONE: THE GATHERING STORM

Chapter 1: News from the Deep - Opens with fragmented news footage: orcas ramming yachts, fishing vessels, even coast guard boats. Scientists debate theories—territorial behavior, sonar confusion, trauma—but nothing fits. A chilling montage ends with a freighter listing off Gibraltar, its hull gashed by unseen forces. Nobody can explain how that happened. Orcas as both victims and aggressors.
Chapter 2: Kuna’s Awakening - In
Antarctic waters, visuals Kuna plays, swimming with younger calves. She begins to experience vivid, disorienting telepathic pulses—images of pain, plastic, dead calves. Sudden freeze-frame—her eye widens. A telepathic flash: dead pods, plastic clouds. Purpose: Introduce Kuna’s psychic link and the mystery drawing her north. Her matriarch senses her agitation. She leaves the pod, drawn northward by a call she cannot ignore.
Chapter 3: Elizabeth Swann Signals -
Mid-Atlantic Visuals: John Storm and Suki Hall are aboard the Elizabeth Swann, testing new sonar mapping tech. HAL detects unusual cetacean sonar signals—dense, patterned, almost like code. Suki notes the signals are coming from multiple species, not just orcas. Suki Hall overlays whale song spectrograms. John Storm watches, concerned. The Swann surrounded by orcas. Sonar pulses ripple through the water. HAL translates: “Poison. Stop.” Purpose: Reveal the Orcas’ intent—communication, not chaos. Purpose: Set up the investigation and HAL’s role as translator.
Chapter 4: Razor’s Redemption -
Shui Razor in a sleek control room. He turns to a wall of screens showing ocean pollution, now a media-savvy eco-philanthropist, gives a TED-style talk on ocean healing. “Razor’s Reflection”. He watches the Orca attack footage and feels a deep, personal reckoning. He contacts John Storm, offering his fleet and data to help decode the crisis. Razor’s ocean-cleaning flagship Visuals:  Purpose: Establish his redemption arc and motivation to act.
Chapter 5: Convergence - The Swann sets course for the Azores, where chatter is intensifying. Kuna breaches near the ship, startling the crew. HAL records a spike in signal complexity. Suki suspects a coordinated message. There is a lovely reunion in the water.

PART TWO: THE MESSAGE
Chapter 6: The Language of Pain - HAL and Suki analyze the signals—repeating motifs, sonar pulses shaped like fetal forms. Razor’s team shares underwater drone footage: dead fish, plastic blooms, ghost nets. The Orcas are showing them what they “see.”
Chapter 7: The Pod of Fury - The Swann encounters a pod of aggressive orcas. They circle the ship, sending rhythmic pulses. HAL translates fragments: “Poison. Death. Stop.” 
“Kuna’s Arrival”, open ocean Visuals: Kuna breaches in slow motion. The pod calms. She emits a deep tone. John clutches his head—visions flood in. 
Chapter 8: Kuna’s Gift - Kuna dives among the pod, calming them. She emits a deep, resonant tone—telepathic and sonic. John experiences a vision: dying oceans, poisoned young, boats as harbingers of doom.
Purpose: Kuna bridges the gap between species. First full telepathic contact.
Chapter 9: The Truth Beneath - Suki confirms the Orcas are reacting to microplastic saturation in plankton and krill. Razor’s scientists link it to reproductive collapse in marine mammals. The attacks are not random—they’re targeted protests.
Chapter 10: The Turning Point - Kuna leads the Swann to a hidden cove where a matriarch lies dying. Her final pulses are broadcast by HAL: a plea for help, a warning of extinction. John vows to take the message to the world.
“The Matriarch’s Lament” Location: Hidden cove Visuals: A dying orca matriarch surrounded by her pod. Her final sonar pulse is amplified by HAL. Purpose: Emotional climax of Act II. The ocean’s plea made visceral. Sargassum brown algae seaweed plague, Sargasso Sea.
PART THREE: A RACE AGAINST THE TIDE

Chapter 11: The Man From Japan - Razor launches a global campaign, speaks directly to camera: “The Ocean Speaks, we will listen.” Media studio visuals. Purpose, to mobilise public awareness. Viral footage of Kuna, sonar translation, and the dying matriarch stirs public outcry, dead marine life. Governments dismiss it as “eco-fiction.” Industry pushes back. Razor becomes the voice of the whales.
Chapter 12: Black Tide Freighter - A
tlantic shipping lane Visuals: A massive mega-freighter plowing through waters, carrying toxic waste is en route to dump in disputed waters. Orca pods gather in its path beneath. Razor warns John: “They’re going to sink it.”  The Swann and Razor’s fleet approach. Purpose: Build tension—will the orcas attack?
Chapter 13: The Chase - The Swann races to intercept the freighter. Razor’s cleanup fleet joins, forming a blockade. Kuna leads the Orcas in a tense standoff.
Chapter 14: Boarding Party - John boards the freighter, deck visuals, confronts the captain. HAL broadcasts the Orca signals live sonar. The crew members hesitate, mutinies, refusing to dump the cargo.
Orcas circle. Purpose: Moral reckoning. Humanity must choose.
Chapter 15: The Truce - The freighter turns away, is rerouted. The orcas swim alongside the Swann, open sea visuals, silent but watchful. Kuna breaches one last time, her eyes meeting John’s; eye-to-eye.
Purpose: Resolution. A fragile truce. Hope. The ocean is not healed—but it has been heard.

 

 

    

 

 

JOHN DIVES IN TO RESCUE KULO LUNA FROM GHOST FISHING NETS

 

 

John is captain of the Elizabeth Swann, a solar and wind powered craft, that he likes to cruise in, and race occasionally. Fortunately for Kulo Luna, the Elizabeth Swann is not only swift, but superbly equipped for scientific and ocean conservation tasks.

 

The Swann is the kind of vessel James Bond and 'Q' Branch would envy. It is stacked full of juicy ocean tech. John inherited the craft from his genius uncle, as a puzzle to be completed. It is zero emission, using solar panels that track the sun and a turbine that hunts for wind automatically, to generate clean electricity for propulsion. A feat Captain Nemo would endorse.

 

 

 

 

 

 

"The Kulo Luna screenplay is a captivating and thrilling story that follows the adventures of a giant humpback whale and her human allies. The screenplay combines elements of action, drama, comedy, and romance, and delivers a powerful message about environmental conservation and animal rights. The screenplay is well-written, with engaging dialogue, vivid descriptions, and realistic characters. The plot is fast-paced and full of twists and turns, keeping the audience on the edge of their seats. The screenplay also explores themes such as friendship, courage, loyalty, and sacrifice, and shows how humans and animals can coexist peacefully and harmoniously. The Kulo Luna screenplay is a masterpiece of storytelling that deserves to be made into a blockbuster movie."

 

 

  IN BLACK AND WHITE - THETIDE TURNS - ORCAS PROTEST AT OCEAN PLASTIC AND GLASS FIBRE POLLUTION - OPERATION GIBRALTAR -  HEADS OIL CORPORATIONS TARGETTED

 

Please use our A-Z INDEX to navigate this site or return HOME

 

 

 

This website and Kulo Luna artwork is Copyright © September 2025 Cleaner Ocean Foundation and Jameson Hunter

Kulo Luna™ is a registered trade mark with international application(s) pending.